directed by JOSEPH RITSCH
scenic design by NATE SINNOTT
costume design by ERIC ABELE
lighting design by CONOR MULLIGAN
projection design by SARAH TUNDERMANN
sound design by WILLIAM D’EUGENIO
props design by DRE MOORE
by Sharr White
directed by RAYMOND CALDWELL
composed by NICK “NICKTHA1DA” HERNANDEZ
scenic design by ANDREW COHEN
costume design by DANIELLE PRESTON
lighting design by C.C.COULD
sound design by DAN DEITER
projection design by SARAH TUNDERMANN
original artwork by COREY STOWERS
Created by Paige Hernandez and Baye Harrell
An interactive world premiere co-commission with B-Fly Entertainment and the Kennedy Center
Photography © 2016 Teresa Wood
directed and choreographed by MICHAEL BOBBITT
sound design by JASON ROMNEY
scenic design by JEFF KMEIC
costume design by PAULA GAROFALO
lighting design by GORDON W. OLSON
projection design by SARAH TUNDERMANN
from the series created by George Newall and Tom Yohe
With a mosh pit, ushers dressed as roadies, confetti cannons where the mess sticks around between shows, a live band and more, the “Schoolhouse Rock” you thought you knew is becoming something totally different. The fun doesn’t stop there – also in house for this rock show: haze machines,strobe lights and larger-than-life concert-style projections.
“This show is like no other,” Adam Burke, Children’s Theatre of Charlotte’s artistic director, said. “Children will think they’re at a rock concert, andparents won’t be able to stop singing along to the songs from their childhoods.”
– Charlotte Observer, APRIL 1, 2016
directed by LALEY LIPPARD
composer and sound design by DANIEL PERELSTEIN
scenic design by TERRY FLINT
costume design by JENI SCHAEFER
lighting design by JASON AMATO
projection design by SARAH TUNDERMANN
by GEORGE BRANT
conceived by CHIORI MIYAGAWA and SABRINA PECK
written by KAREN HARTMAN,
TANYA BARFIELD,
CARIDAD SVICH,
LYNN NOTTAGE, and
CHIORI MIYAGAWA
“Sarah Tundermann’s projections add movement and excitement.”
-by Jayne Blachard, DC Theatre Scene
“A towering backdrop evokes the remains of an ancient edifice. Expert lighting (Joseph Robert Walls) and projections (Sarah Tundermann) fill the shadows of those ruins with often considerable impact. This moody world, further enhanced by William D’Eugenio’s sound design, serves each of the pieces in telling fashion.”
-by Tim Smith, The Baltimore Sun
“A highlight of the evening is the work of Projection Designer Sarah Tundermann [….] this is Broadway caliber work.”
-by Charles Shubow, Broadway World
